Niks tests, kneads and stretches the skin
The skin slides in between one’s self and the others.
It is the ground for our feelings.
It is the receptacle of the glance cast upon it.
It is that stretchy matters that contains and protects.
It is the mask that concentrates on the presentation and representation
of the self.
Il is an element of our personality.
It is an interface between inner and outer.
Niks tests the limits of body and mind, deforms appearance. Niks
gives a misleading image of woman, namely her physical reality immersed
in an environment of interactive images, multiplies, interferes in the
projection space and reveals the tactility of its image.
Niks is a performance on edge.